This publication accompanies the first chapter of Work in Progress and brings together a selection of works that Arter has supported and produced since its founding.

The design is rooted in the idea that an institution is never a finished monument but a structure in continuous formation. A visible grid system, photographs that occasionally shift into duotones, stencil typography, and the exposed cloth spine carry this approach throughout the book. Rather than acting as a neutral container, the publication becomes part of the narrative itself: a structure that remains legible while still in progress.